Diverging Stories Intertwined Destinies

A 90-minute Documentary Film in Pre-Production

Exploring historical legacies of Turks, Kurds, and Armenians of Turkey

By Nermin Soyalp & Burcu Tung

Sponsored by Healing The Wounds of History

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Synopsis

Armenians, Kurds and Turks, who have historically been in conflict, find common grounds in their immigrant lives during a series of drama therapy workshops in California. Personal transformation, historical legacy, immigration and home are explored through the participants’ narratives and the documentation of their daily lives. In addition, relevant historical contexts are illustrated through 2D animations elucidated by subject matter experts. In a world riddled with inequality, sexism and racism, this 90-minute documentary exemplifies how personal and collective traumas can be transformed through empathy and constructive action, paving way towards healing and community building.  

Why Diverging Stories, Intertwined Destinies? Why now?

How may individuals overcome transgenerational trauma? How can they navigate their historical legacies? What happens when they face their enemies? How can healing and transformation occur? Our work explores these key questions by bringing together individuals from communities that have historically been in conflict with each other. The rise of nationalisms and nation states over the past 200 years have resulted in numerous conflicts creating avenues for atrocities such as war, genocide, and forced displacement from ancestral lands. Such acts can cause extreme personal trauma for the individuals involved, whether victims, witnesses or perpetrators. When these traumas are transmitted to the next generation through adaptive behaviors, psychologically, socially, and (as we now know) epigenetically, they can have long-term effects on communities and societies at large. This is the nature of transgenerational trauma. Yet despite their hardships, humans tend to gravitate towards healing. A glimpse of resistance and perseverance can be seen in immigration stories. As such, we ground our work in hope and healing, in focusing on the potential of newly found lives. Our interdisciplinary approach forefronts the importance of personal experience for empathic engagement and that our world is made up of different histories and perspectives. We may never agree on particular viewpoints. No matter what descendants of perpetrators could do in hope of reconciliation, they may never be able to make things even for descendants of victims. But we believe that we can still listen and learn from one another. Once a bridge for empathy is built, then there is less chance for the perpetuation of systematic injustice and inequality. In performance and art, the empathic bridge is built swiftly, and emotions can be conveyed in their complexity. Utilizing the power of performance and expression, drama-therapy presents itself as an innovative tool for such engagement.

Team

Co-Directors: Nermin Soyalp and Burcu Tung Workshop Director: Armand Volkas Director of Photography: Gohar Barseghyan Videographer and Music Supervisor: Jef Stott On-Set Photographer: Ayçin Çakı Advisors: Fatma Müge Göçek, Torange Yeghiazarian, and Flora Keshgegian

Nermin Soyalp

Nermin Soyalp

Co-Director

Nermin Soyalp, MA, Ph.D.c., is a Historical and Collective Trauma researcher/facilitator, co-producer & videographer of World is Sound, a travel channel about music featuring artists around the globe. Nermin has been a collaborator with Armand Volkas in the Healing the Wounds of History (HWH) approach since 2012 where they together organized HWH workshops with Germans and Jews as well as Turks, Kurds and Armenians. She is a skilled trainer and a facilitator. Nermin holds degrees on Statistics and Organizational Psychology. In addition to running her consulting practice in Oakland, CA, Nermin is working on her Ph.D. dissertation at California Institute of Integral Studies (CIIS): Historical Traumas and Healing Between Armenian, Kurdish, and Turkish ethnicities. Born to Turkish parents in Monterey, CA, but raised in Turkey, Nermin is a first generation immigrant in California.
Armand Volkas

Armand Volkas

Healing the Wounds of History Director & Facilitator

Armand Volkas, MFT, RDT/BCT is a psychotherapist, drama therapist, theatre director and professor. Armand has received international recognition for his Healing the Wounds of History approach to bringing groups in conflict together. He has facilitated groups in multiple countries including, descendants of Jewish Holocaust survivors and The Third Reich; Turks and Armenians; Turks and Kurds; Palestinians and Israelis; Japanese and Chinese, Tamil and Singhalese, Japanese and Koreans; African-Americans and European-Americans and the factions involved in the Lebanese Civil War. Armand has been honored with the Raymond Jacobs Award for his dedication to diversity and cultural competence and The Gertrud Schattner Award from the North American Drama Therapy Association for his distinguished contributions to the field.
Fatma Müge Göçek

Fatma Müge Göçek

Advisor

Fatma Müge Göçek, PhD, is a Professor of Sociology and Women’s Studies at Michigan State University. Her research focuses on the comparative analysis of history, politics and gender in the first and third worlds. She critically analyzes the impact of processes such as development, nationalism, religious movements and collective violence on minorities. Her published works include East Encounters West: France and the Ottoman Empire in the 18th Century, Rise of the Bourgeoisie, Demise of Empire: Ottoman Westernization and Social Change, Political Cartoons in the Middle East, Social Constructions of Nationalism in the Middle East, The Transformation of Turkey: Redefining State and Society from the Ottoman Empire to the Modern Era, and A Question of Genocide: Armenians and Turks at the End of the Ottoman Empire.
Torange Yeghiazarian

Torange Yeghiazarian

Advisor

Torange Yeghiazarian is the executive artistic director of Golden Thread Productions, which she founded in 1996. Golden Thread Productions is the first American theatre company focused on the Middle East, which celebrates its multiplicity of identities and perspectives. She has written a number of plays, including award winning Isfahan Blues and The Fifth String: Ziryab’s Passage to Cordoba. Her articles on contemporary theatre in Iran have been published in The Drama Review (2012), American Theatre Magazine (2010), and Theatre Bay Area Magazine (2010), and HowlRound. Torange has contributed to the Encyclopedia of Women and Islamic Cultures and Cambridge World Encyclopedia of Stage Actors. Born in Iran and of Armenian heritage, Torange holds a Master’s degree in Theatre Arts from San Francisco State University. Torange has been recognized by Theatre Bay Area and is one of Theatre Communication Group’s Legacy Leaders of Color. She was honored by the Cairo International Theatre Festival (2016) and the Symposium on Equity in the Entertainment Industry (2017).
Aycin Çakı

Aycin Çakı

On-set Photographer

As a long time scuba diver, Ayçin Çakı started her photography career underwater taking pictures of active marine-life in the Mediterranean coast of Turkey. Her underwater photography have been featured in photo exhibitions and websites. Since then she extended her portfolio with commercial, architecture, and wedding photography, and videography. She moved to the U.S. in 2011, and have been involved in social activism and documenting immigrant lives in the Bay Area. Her activist work with immigration and LGBTQ rights led her to the Brave Visions and to this documentary project. Ayçin has designed websites, is currently an UX/UI designer in the Silicon Valley, and co-founder of an early stage start up, a film platform designed for filmmakers and directors. She is continuing her artistic career with photographing urban life in SF, wildlife and nature of California, and fulfilling her activist passion through her involvement with various non-profits in the Bay Area.
Burcu Tung

Burcu Tung

Co-Director

Burcu Tung, PhD, taught on heritage and culture at University of California, Merced and University of California, Berkeley after attaining her PhD in Anthropology from UC Berkeley. She is currently working on the excavation publications of the Çatalhöyük Research project, a long-term excavation project in Turkey. She has been involved within the Bay Area Armenian community since 2006 both through dialogue work and her co-production a short documentary, Sacred Difference (2007), film on the community St. Vartan Church in Oakland. She is writing a book with Flora Keshgegian on interpersonal Armenian and Turkish dialogue. Born and mostly raised in Turkey, Burcu currently is settled in the Bay Area with her husband, three-year old son, and their jet setter cat Atilla.
Gohar Barseghyan

Gohar Barseghyan

Director of Photography

Gohar Barseghyan, originally from Soviet Armenia, is a producer, photographer and creative project manager. Gohar is strongly involved with the Armenian community in the SF Bay Area. She is the director and producer of SF Hye (2008), a documentary on Armenian Americans living in San Francisco. Gohar made US her home for the past 18 years and is the mother of two curious and creative girls, 12 and 17.
Flora Keshgegian

Flora Keshgegian

Advisor

Flora Keshgegian, PhD, is a theologian who has taught at Brown University, Seminary of the Southwest, Stonehill College, Church Divinity School of the Pacific and the Graduate Theological Union. She has also had a long working relationship with Brown University where she served as Associate Chaplain from 1984-1998 and as Faculty Ombudsperson from 2006-2009. She has a Master of Divinity Degree from the Philadelphia Divinity School and a Ph.D. from the joint doctoral program of Boston College and Andover Newton Theological School. Her three books, Redeeming Memories: A Theology of Healing and Transformation, Time of Hope: Practices for Living in Today’s World, and Redeeming Memories: A Theology of Healing and Transformation, focus on suffering and memory, justice and hope, and re-imagining Christian ideas about who God is and how God acts. In that process, she draws on her experiences growing up in an immigrant home and as a child of survivors of the Armenian genocide and she explores the nature and dynamics of power, particularly given cultural and gender differences.
Jef Stott

Jef Stott

Videographer and Music Supervisor

Jef Stott, is a composer, performer, host and producer of World is Sound, a travel channel about music. Jef is a life-long musician and producer who has been working in global music forms throughout his career. Jef holds degrees on Multi-Media and Anthropology. His work has been featured in major motion pictures, television, video games, theatre and modern dance. He has toured the world numerous times as a performer. In addition to his musical work, he is also a documentary film-maker & producer of World is Sound. He profiled musicians from around the world in a short form documentary style.

We extend our deep gratitude to workshop participants!

Only because of your courage and willingness to be part of Diverging Stories, Intertwined Destinies Documentary project, together we are able to make this vision a reality.

August 10, 2017 Workshop

Participants

  • Peter Ajemian
  • Memet Ali Alabora
  • Meltem Arıkan
  • Garbis Baghdassarian
  • Asiye Dalga
  • Pınar Öğün
  • Adlan Özsoy
  • Mehmet Tankan
August 10, 2017 Workshop Film Crew
  • Producer & Director: Nermin Soyalp
  • Workshop Director: Armand Volkas
  • Videographer & Production Manager: Jef Stott
  • On-Set Photographer: Ayçin Çakı
  • Production Assistance: Philip von Furstenberg

Location: Downtown Oakland’s premier PROFOTO Photo / Video Production Studio

Do you want to Participate?

The next workshop will be conducted and filmed in Fall, 2018.

If you are a Turk, Kurd, or an Armenian with ethnic or religious heritage connected with Turkey or the Ottoman Empire, and you would like to participate in the workshop series and be part of this Documentary project, please contact us at info@bravevisions.org

Participation Contact Form

Background

This film is about conflict, transformation, and understanding. It documents how drama therapy can be utilized to work with the legacy of historical trauma that can burden individuals with grief, pain, loss of meaning, and victimhood, amongst other things. The historical legacies explored in the film derive from Turkey, a country built in the aftermath of World War I and the collapse of the Ottoman Empire. At their shared motherland, Armenians, Kurds and Turks are at an impasse in terms of recognizing the different traumas their communities experienced as well as their different identities. For example, over half of the Turkish population living in Turkey today come from Muslim families displaced from the Balkans or Greece, who bear suppressed immigration stories. On the other hand, over a million of Armenians died when they were expunged from their ancestral lands. Further, Kurds who resisted assimilation since the foundation of the Republic of Turkey were punished through various ways, perhaps most severely at Dersim where thousands were massacred between 1937-38. There continues to be ongoing conflict between the Turkish State and Kurdish citizens who wish to honor their culture, language and identity. How does one navigate through this politically and psychologically loaded minefield towards constructive dialogue and cooperation? For the past 20 years, Armand Volkas, the director of the drama-therapy workshop, has brought together communities that have traditionally been in conflict with each other to build constructive action. The work he conducts is based on the premise that there can be no political solution to intercultural conflict until we understand and take into consideration the emotional, and unconscious drives of the human being. Drama-therapy provides a way for participants to express their emotions and stories through reenactments, all the while giving them an opportunity to observe and reflect on their experience from a different perspective. As such, the workshops provide a place where personal transformation can take place, leading to informed constructive action, even reconciliation. We ground workshop participants’ personal stories in historical context through interviews with subject matter experts. We have a wide net of scholars, activists, practitioners, and artists specialized in the conflict between Kurds, Turks and Armenians; healing transgenerational trauma; memory; and performative arts. In sum, our work conveys broad social themes, from historical trauma to immigration, from healing to performance.
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Photography by Ayçin Çakı © Brave Visions